Silk jacket - done

Ta Da…


ooooh shiny!

The finished silk jacket... I must say I’m really happy with the result, not to mention being happy with finishing it more than 5 minutes before I walk out of the door! Here are some photos and I promise I will post a picture or two of me actually wearing the whole outfit. I will have had my hair and eyebrows attended to by then so I’ll be looking presentable – I hope.

On to my other project for the week – my new work wardrobe, lets just say FAILED! Well to be fair I have spent the time going through my existing wardrobe and seeing what I have that’s useable, altering some stuff that was almost okay, and finishing some projects that I cut out ages ago. I also bought a couple of basics to get me through in the short term. I realised I’d rather spend my time sewing more challenging and fashionable styles than rush things I ultimately won’t be happy with; and it’s actually cheaper for me to buy the basics. I have prepared a few patterns so I’ll post soon about my upcoming work.

The Jacket Part One - Interfacing and Underlining

The jacket is made from a very fine silk dupion. Like the dress, the silk is not of great quality and so is quite fragile. I decided to underline the whole thing in silk organza (which incidentally cost more than the dupion!). Normally I avoid this kind of process because, let’s be honest, I’m really lazy and underlining can be fraught with difficulties such as buckling, and pulling. Anyway, there was no option here so it had to be done.

I cut each jacket piece from silk organza and basted the layers together by machine (I’m on a schedule so no time for hand basting). On the larger pieces I left one edge un-basted to allow for any discrepancies to sort themselves out.

On the pieces with interfacing I basted a lightweight shapewell to the organza along the seamline and cut away the seam allowances before applying the organza to the fabric. I generally use fusible interfacings where possible as I like the look better but, again, there was no option but to use sew-in on this project. In addition to the interfacing pieces given in the pattern, I also cut the upper collar and a brace for the back which I applied after I sewed the centre back seam.

For the under collar I sewed the centre seam in the underlined fabric then overlapped the interfacing seam, trimming out the seam allowance and sewed it flat (I’m not sure that makes sense!). I hand basted the roll line then pad stitched by machine, up and down in the stand and across on the main section.

Next step is construction – the bit I like best!

M5466 A success!

Here is the finished dress I’ll be wearing to the wedding next Saturday. I am so happy with the result, most importantly it’s really comfortable so I won’t have any problems a) sitting through a Catholic mass and b) packing away my dinner later :). The pattern was really simple and only took me a few hours to run up (after all the time I spent making the toille, trying to lose weight, giving up on that, cutting the thing out then putting it off for as long as possible!). Anyway I have some news which means I am about to undertake a marathon sewing effort this week (more on that later) so I have to clear the decks first.

Alterations to the pattern:
I bought the pattern to fit my upper bust measurement as I always do but that ended up being the top size in the envelope (12). Now I always have to add for my hips (and more recently my waist) but I usually have larger guidelines to follow. This time I worked out the difference between me and the body measurements on the pattern, divided it by the number of vertical seams and added that amount at the appropriate places. On the bodice I was able to just swing out the side seam at the waist the required amount and join it back to the existing armhole. The skirt was a bit more complicated because of the pockets and pleats so I just slashed the pattern in a clear space (between the pleats and the pocket) and spread the pattern the required amount. It wasn’t that hard but as usual I put WAY too much thought into it! It fits the bottom half of my body and the pleats look to be in the right place so that is good enough for me.

After my toile I made the following additional alterations:

• Lengthened the dress by 8cm (it finished well above my knee – not a good look with high heels or sitting on a church pew with your thighs exposed, yuck!)


• Made a full bust alteration (fba) which allowed me to lift my arms, and I filled in the front armhole ‘scoop’ a little as it looked a bit funny to me and brought the sleeve too far onto the body. Now the sleeve hangs nice and straight from the shoulder line. I am always wary of sleeve alts as they can be a bit of a can of worms but this turned out well so yay!


• Removed the pleats in the back bodice and skirt. On the skirt I converted the pleats to darts, I think there was an article in Threads a while ago if you need instructions on that but really I just extended the pleat lines until they met at a point and then fine tuned them after the dress was together. On the bodice I started a really complex process of closing pleats and swinging fullness into the darts (there’s me over-thinking again!), in the end I figured there was plenty of room in the bodice with the pleats pinned out so I just pinned them out of the pattern place and kind of squished the piece flat. That could have been an absolute disaster but fortunately it wasn’t!

Construction:
As I fully lined the dress I didn’t cut the facings. I put in the pockets and sewed the skirt and skirt lining (without pockets of course). Then I sewed the darts in the bodice back and front and constructed the bodice. Next I sewed the dress and lining waist seams.

The next step was to insert the invisible zip and the lining. (I cut off the seam allowance from the lining cb seam in the zip area, tapering back to the original edge at the bottom, then I sew the lining to the zip tape before I do anything to the neckline. Having trimmed off the seam allowance makes the lining pull back into the neckline and you never get fabric stuck in the teeth. This is an industry method I picked up somewhere and I use it all the time on facings and linings now. I might do a tutorial on this one day if anyone’s interested, but I never remember to take photos as I go!

For the neck I laid the fabric and lining together before forming the pleats. I sewed the two layers together at 1.5cm then used this as a guideline for applying a bound edge. That is I laid the raw edge of the binding to the stitching line, sewed a 0.5cm seam and trimmed back to the first line of stitching (essentially removing the seam allowance). I then flipped the binding over, tucked in the raw edge and hand sewed it down.

I hope you can see the binding well enough here.

I made up the sleeves and lined them, then sewed them into the lined armholes. I bound the raw edges to neaten them.

This fabric is silk, but not great quality so the vertical seams frayed like a bitch. I didn’t want to risk a ridge from overlocking so I used a zig zag stitch to finished the seams, the lining is a tightly woven habutae so it didn’t need anything. On the hem I cut some bias lining to make a Hong Kong finish then hand sewed the hem. The lining had a machine sewn hem and finishes about an inch shorter than the dress.

In conclusion:
This dress came out really well, it’s flattering and was very easy to put together, I would probably make it again (in a day time fabric for work) but there are a couple of similar styles in recent Burda magazines that I am more likely to try!

Now I am on to the jacket, which I’ll post about very soon, and my news…well you’ll have to wait a couple of days for that too (Must. Finish. Jacket. First.)

An autumn work outfit

This is a t shirt and skirt I whipped up pretty quickly. The t shirt is from New Look 6731, view B but with the cap sleeves from Views E and F. The skirt is from a Vintage Vogue pattern which seems to be discontinued and I no longer have the envelope so I can’t give the number – sorry.

The t shirt is made from a knit burn-out called ‘Camden’ – I think it’s a poly viscose blend or something like that. It’s really light, easy to sew and I am very pleased with the result. The cowl collar gives it a bit of something different and when I wore it to work the other day I got several compliments. Can’t complain about that! I will definitely use this pattern again and it doesn’t need any alterations beyond cutting a 12 at the top, blending to the 14 at the hip.

The skirt is made from another poly viscose blend that we at the shop are calling ultra soft suiting, I love this fabric. In fact I bought enough of it in the brown colour to make a jacket, skirt and pants I love it that much. It has a really nice drape and a little bit of stretch so it’s comfortable and flattering. The pattern is as close as I have to a TNT (tried and tested) pattern as I’ve now made it twice, but I will make it again – my version is graded up from a size 10 (that’s how long ago I bought the pattern, It’s been a while since I was a 10!). It's a normal A-line at the front,but the backs are cut with the straight grain down the middle of the piece, rather than the centre back, giving a nice flare to the back without it sticking out. I have to take it in a tiny bit at the side seams and I may lift the front waist a bit higher. I’m also not quite convinced about the length so there is a little perfecting to do on this one yet.

These are versatile pieces that can be worn together or with other garments, I also like that I can wear the top tucked or un-tucked with a belt.

Finished denim jacket - a success!

Here is my finished denim jacket – I am VERY happy with it. To recap, I made this jacket as a trial run for the silk dupion jacket I’ll be wearing to the wedding (which is only three weeks away now so eek!).

The pattern is M5477, using the sleeves and back tab from view C and the collar from views A and B (a notched collar just suits me better). The fabric is an enzyme denim which is navy in one direction and dark olive in the other. It’s not a twill like a normal denim but is more like a close weave linen. Fortunately I pre-washed the fabric even though I’ll probably dry clean the jacket because it shed A LOT of dye and still turned my fingers black while I was sewing it! The lining is a black polyester lining that has become my favourite lining at the moment, all I know is it comes from Japan. It has a beautiful close weave and is not at all clammy to wear.

The things I love about the jacket are: the neat fit at the waist, which is achieved by the side front and side back pieces being cut on the bias; the overall shape is really flattering to my figure type and has a retro feel that really appeals to me; and it was really easy to put together – always a bonus. Note that the pattern states these sleeves are long - they are not. The finished length is about 5cm above my wristbone (given that I have quite short arms they could be even shorter on more willowy figures). I like this length, and they are illustrated this way, but if you want a full sleeve, you'll need to lengthen.

What I will do differently next time: I’ll interface the top collar as well as the under collar (I would normally do this but I wanted the follow the instructions to the letter to see what happened) and I’ll interface the full front piece as well as the side front and back panels just under the arms as I’d like it to look a little more stable in these areas. But that’s it, a size 12 fit me really well without major alterations (I took a slightly narrow seam allowance in the lower sides to accommodate my hips).

The next version will be made from gold silk dupion, underlined with silk organza and lined in silk habutae. I’ll use sew in rather than fusible interfacing. Better get started on the pad stitching now!

Endings and beginnings

So here is the finished shift dress. I put it on one of the dummies at work to photograph – isn’t she gorgeous? Sadly the shape and the colour do nothing for me so I probably won’t get a lot of wear out of this except possibly over a long sleeved black T in the winter. Anyway I have many more exciting (and successful) projects to post about in the near future…

I have also finished the mermaid scarf I was crocheting but haven’t had a chance to photograph it yet, stay tuned.

On to new projects. Here is the toile I made for the dress I intend to wear to the May wedding. To remind you the pattern is M5466, view B. I cut a size 12 to the armholes then graduated out to a 14 at the waist and hips. When I tried it on I could not move my arms! A nifty FBA (full bust alteration) sorted that out so now it fits nicely. As an aside, I’ve never needed to do this alteration before as I’m only a C cup so most patterns fit okay without it. I guess the newer, more fitted styles are going to require more toile making (awesome – not!).

No, my dress dummy does not have a lean, I am just a TERRIBLE photographer!

I will be making several design changes to the dress. The front is fine as is but I don’t like the pleats in the back. The ones in the back neck make me look like a hunchback and as for the skirt pleats, let’s just say my butt does not need any help in that way! I’ll simply fold out the pleats from the neck edge and convert the skirt pleats into darts. I may leave the sleeves as is or I might convert them to tulip sleeves to give me a bit more movement, haven’t decided on that one yet. I’ll also be fully lining the dress in silk habutae. I’ll have a belt made but I’m not sure if I’ll wear it on this occasion.

I’ve also made a trial version of the jacket I’ll be wearing and am really happy with it. As soon as I finish the buttons and buttonholes I’ll post on that one too.

That’s all for now.

Finished, and moving on

First of all here is the finished tulip skirt. As I said previously I like it but don't love it. Sadly it's a little 'snug', but I'm blaming that on rather too much Thai take-away lately! I'll probably wear it when the weather gets cooler with opaque tights and maybe long boots - I really don't think this length works for me. Never mind, moving on...

I've finally been working on the Threads shift dress. The outside layer is done aside from hand sewing so I just need to put together the lining, sew in the zip, join the two layers at the neck and set in the (unlined) sleeves. Oh, and the hems. It's actually not too much and since my fella is going away for work tomorrow night I'll have plenty of time to work on it. Here are a couple of pictures of my progress on it. You can see that it will really benefit from having a lining put in as it looks very flimsy as it is.

The close up show the top stitched front facing and button band. I just laid it on top and stitched around the outside edge rather than making it as a traditional facing but turned outside as per the instructions. This is because I'll be joining the lining and shell together at the neckline. I'm going to make some covered buttons for the front placket and pocket flaps, but if they don't look right I'll have some more made by the button and belt service that comes through my work.

Finally, I have cut out a toille for the wedding outfit. The dress pattern will be McCalls 5466 view B, probably with modifications, and there'll be a jacket too but I haven't finalised the idea for that yet.

I'm a Cello - who knew?

A while back I bought the new Trinny and Susannah book 'The Body Shape Bible'. I have most of their books and while I usually take the advice with a grain of salt I think they're generally pretty good. Anyhow, I was having problems deciding whether I was a pear except without the flat chest or a skittle with a big bum. I swung between the two and decided that they are not that different essentially so I'd look at and follow the advice for both. The other night I was surfing the web and came across a link to this body shape calculator. After doing the quiz it turns out I'm actually a cello (except without broad shoulders)! So what does this mean? Accentuate the top half, minimise lower half blah blah blah. It's just more of the same general advice. Not that I'm complaining, I like to see nice outfits photographed on real women - it's a much better source of inspiration than pencil thin models and celebrities.

I am really trying to branch out into new shapes and styles at the moment, I'm so bored of jeans, a-line skirts and fitted t-shirts. I accept that I will have a lot of failures along the way but I'm between sizes so trying on stuff in the shops can only give me the vaguest idea of what a style will look like. If I can find just one new shape or style to wear it will have been worth the effort for me. Plus it'll give me the chance to reduce my embarrassingly huge stash of fabric and I'll be able to donate some really nice garments to friends and the local charity shop.

On sewing news, I've finished the tulip skirt. It looks okay, not great (the style not the sewing's fault!) but it really doesn't work on my dummy so I'll post a picture when I can convince my ever-patient fella to take a photo of me wearing it. On to the Threads shift (finally), and making a toille for the wedding outfit. I'll close with a photo of the fabric I'll be using for it (two types of silk dupion).

McCall's Tulip Skirt Part One

I've started putting together the skirt I cut out this week. The pattern I'm using is McCall's M5473 view A. Here are some notes on my progress so far...

I didn't make any major alterations to the pattern, I cut a straight size 14. The only change I did make was to cut the centre back slightly off grain to make sure the split hangs straight and closed. I also added a kick pleat because I don't think the back of my knees are up to the scrutiny!

This photo shows my altered back piece. I added 2cm to the centre back line at the hem edge only tapering to nothing at the waist. I have since pinned the pieces together and I think this will be plenty.

I also added an extra vent piece to the split so I can create an underlap.

The only other change I made was to cut a lining using the altered back piece and the front piece (with the side front layed under to create a whole front instead of a front with pocket). I cut off the hem allowances on the lining. I hope this makes sense - it should become clearer as I go through.

I fused interfacing to the yoke pieces. To stabilise the pocket edges and zip opening edges I used fusible seam tape. I've never done this before, I've always stitched in tape to the pocket seam line and not bothered about the zip opening, but am really happy with the results. Since the skirt will be fully lined I decided not to overlock but to trim the edges with pinking shears.

So far I have put the pockets in and sewed the side seams. Next I'll put the yoke on, insert the invisible zip and construct and set in the lining. I'll post again when it's a bit further along.

PS. I've decided on my wedding outfit and bought material so stay tuned for reports on this project.

PPS Please forgive the formatting. I cannot for the life of me work out how to make the spaces between paragraphs even. Grrr!